When things in life change significantly your art changes. I have taken a hit so it shows. I have also considered the artist I have researched and my color pallet change.
New work and vision Side ways These pieces will be incorporated together. This orange image above is the first image of a lino-cut reduction. This plate will have a total of around five drops with the last pull of coarse being black. I do tend to layer on top also we will see where that leads me with an ah-ha moment. The ceramic pieces will fit into the narrative of the print where the viewer will be lead to a meaning but not told. I work with the idea of feeling of being invisible and seen but not heard. These pieces will also deal with body dysmorphia. These are specific and particular forms of abusive. I am in hopes that others will connect with their own experiences as I do. I hope you enjoy my work !
Print making as an artist we all have things we love to hate and our own trials . One of the biggest things as an artist we face is the vision of what is in our minds eye that we want to create verses the gap of what we actually make with our hands. Our vision verses reality and as artist we struggle and claw to close the gap. This is where I am with printmaking the beautiful struggle of the minds eye and closing the gap. Lisa Batchelder Ominous Blue Tentacles Reductive, relief, print with French posh ware and chin'colle 40x30in (2020). This is piece has hand carved lino-cut pieces, on an acid etched background with French posh ware, then Chin colle paper for the final drop. Pieces like this are tedious and time consuming. THE PROCESS; FIRST take a piece of linoleum cut it size . You must then ware P.P.E. . It takes lye crystals, spritzes of drain cleaner and water. Make sure...
Comments
Post a Comment